1. In the introduction, Diaz uses relatively academic rhetoric sprinkled with slang and causal language (i.e:" No matter what its name or provenance, it believed that the arrival of the Europeans on Hispaniola unleashed the fuku on the world, and we've all been in the shit ever since" [1]). What effect, if any, does this rhetoric have on the reader? Does it enhance or hinder our understanding of the "fuku" Yunior is describing?
2. Why does Diaz decide to write extensive footnotes on certain terms and people, such as Trujillo (page 2) or "parigüayo" (pages 19-20) and omits to define others?
3. What effect does omitting quotation marks in the dialogue have on your understanding of the text? Why does Diaz choose to do so?
4. Why does Diaz choose to decide the first chapter into subcategories such as "Amor de pendejo" (36) and "The Moronic Inferno" (19)? Does it have an impact on our digestion of the chapter?
5. It's often emphasized that Oscar is the opposite of what a Dominican man should be: "he wasn't no home-run hitter or a fly bachatero, not a playboy with a million hots on his jock" (11). How is masculinity emphasized in Oscar's world? How does this idea of masculinity affect the way Oscar thinks of relationships? Consider Oscar's uncle and Oscar's relationship with Ana.
6. What do the characters of Olga and Martiza tells us of the role of women in this novel? Similarly, how does Oscar's sister, Lola, differ from the rest of the women introduced thus far?
7. What effect does Oscar visit to the Dominican Republic have on him? How does it relate to the idea that the Dominican republic and Northern Jersey are extensions of each other?
8. How does family help define Oscar? Throughout the text, the narrative is interlaced with interjections from Oscar's mother. What effect does this have on our understanding of character development thus far?
9. Oscar deals with a great deal of "othering" by family, friends, and foes alike. How does Oscar offer any parallels between other trans-nationalistic narratives we've discussed?
10. As we've been forewarned, this text is riddled with Dominican slang, specific fanboy terminology, and unfamiliar historical figures. Now that you've read the first chapter, was it difficult to follow the text or easier than you expected? Do you think Diaz intentionally tries to confuse the reader or educate them forcefully?